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Greece 2005

Europe’s 2006 Culture Capital

Clowning around: Patra's Carnival is the greatest celebration of the city drawing crowds from Greece and abroad.

By William Nicholson

While much of Greece may be recovering after the global party that was the summer 2004 Olympics, Greece’s third largest city, Patra, showed no sign of slowing down.
The 200,000 strong city, which sits on the north-western shoulder of the Peloponnesus, is famous for one of Europe’s most celebrated Carnivals.

Rio may be famed for the inexhaustible samba talents of its bare breasted dancers, Venice for the opulence of its masked balls, and London for the millions who pack the streets of Notting Hill each year. But as the short, cold days of winter draw to a close, and the prospect of another delightful Greek summer hoves into view, the people of Patra prove each year that they have a unique talent to put on a spectacular show, and have a good time while they are at it.

The January to March Carnival has blossomed over the last 170 years, ever since a merchant in the city chose to hold a spring party in the spirit of fun-loving Greek god Dionysus, noted for his love of wine.

Though the capital Athens, and Greece’s second city Salonika also hold events to mark the carnival season, it is Patra that dominates the festival season.

While Athens is justly famed for its antiquities and Salonika’s citizens love to sit out by the seafront on its Italianate plazas, Patra can boast both coastline and heritage. And, in the true spirit of Dionysus, a lot of wine.

The city’s port is one the best ways to get to and from Greece, with overnight trips to Italy on modern super-comfortable ferries offering relaxed and stylish transit.

Boats also ply routes to the neighbouring Ionian Islands, from Corfu to Zakynthos, where delightful sandy beaches have become a favourite nesting site for the endangered loggerhead turtle.

As the gateway to the often neglected interior of the Peloponnesus, Patra also makes a fantastic base to explore the natural delights of its rolling valleys or conifer-draped mountains, or even walk the Lousios Gorge - a spectacular 300 metre deep canyon dotted with picturesque villages just a short drive south of the city.

For many however, Patra is the ideal stop for visiting Ancient Olympia, famed as the inspiration for the modern Games, but rich in its own thousand year history as a religious and athletic sanctuary. Strolling the site and visiting the museum - one of Greece’s best - has become a must for millions of tourists.

More than ever, though, Patra has become a destination in itself. And with the annual splendours of the carnival which culminate in mid-March it is easy to understand why.

"This is a carnival with an international reputation and stature," said Amalia Goudevenou, from the organising team. "This year around 35,000 people from all over Greece are participating in front of hundreds of thousands of spectators."

Visitors pack the city streets to take part in the festivities or just to admire the pain-stakingly assembled floats, many of them with a satirical touch, which are the products of thousands of hours of craftsmanship over the entire year.

The highlight of the Carnival is the final procession, which takes place from noon on the final Sunday, with elaborate floats heading towards the port.
"Teams work on the floats all year round," said Ms Goudevenou. "The day the carnival ends, work begins for the next year."

With streets engorged with visitors, Patra truly begins to unleash the Dionysian spirit of old, and the procession ends with the carnival King bidding farewell to the revellers and setting a date for next year’s party. That done, a vast firework display lights up the harbour – a signal for many to party on till dawn.

Though the main procession is the highlight of the carnival, it is rich with old traditions and newly devised entertainments. Silly, but entrenched past times like the ‘chocolate war’ which pits well honed chocolate throwers against each other, have been going for more than a century.

Some visitors prefer the more relaxed, and less messy, alternative of sitting in the decorated tavernas or taking a spin on the dance floor at the masked balls. Most famous is the Bourboulia Ball, which takes its inspiration from the ancient stricture banning women from the carnival. To get around the rule women wore hooded black dresses and a mask, and thus unrecognisable were able to cast a liberated eye over the town’s men folk. While times have changed, the magic of the evening has not.

In typical Dionysian fashion, the revels are often fuelled by wine from Greece’s oldest winery. Founded in 1861, the Achaia Klauss Winery is one of the largest producers in the country, and runs tours of its cellar, allowing visitors the opportunity to knock back a drop of the famous Mavrodaphne dessert wine.

Despite its reputation for fun, Patra also aims to achieve recognition as an emerging cultural centre, and has been selected as European Cultural Capital for 2006.

The $40 million cultural programme is to be supplemented by a further $120 million to improve road and rail networks around the city.

A new archaeological museum is planned, as well as a series of 10 day festival cycles each themed on the cultures of foreign countries.

"The focus will be on Europe but we will be celebrating foreign countries from Japan to Argentina," says George Panayiotopoulos, for Patra 2006. "Each segment will have dance, theatre and musical events. We are trying to create a new cultural environment for Patra."

Patra will be inaugurated as Culture Capital between 10th and 25th January next year, and will continue throughout the year, featuring symposia on modern interpretation of Greece’s classical dramatic canon, and drawing to a close with exhibitions themed on the life of St. Andrew, who was martyred in the city.

To ensure that the city’s cultural reign does not end with 2006 however, the final ceremony at the festival will be to inaugurate a new International Arts Festival.

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Ministry of Tourism
OPAP
Kilada Hills
Hellas EasyYacht
 
TEAM
Project Directors
Maja Lapcevic
Elodie Piat
Stephen de Vasconcellos Sharpe
Project Coordinator
Melanie Radike
Written By
Sandie Robb

 

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